  {"id":5996,"date":"2015-03-04T20:06:42","date_gmt":"2015-03-04T20:06:42","guid":{"rendered":"http:\/\/www.ucf.edu\/pegasus\/?p=5996&#038;post_type=story"},"modified":"2025-04-10T13:03:06","modified_gmt":"2025-04-10T13:03:06","slug":"trouble-in-paradise","status":"publish","type":"story","link":"https:\/\/www.ucf.edu\/pegasus\/trouble-in-paradise\/","title":{"rendered":"Trouble in Paradise"},"content":{"rendered":"<p><em>Spring 2015<\/em><\/p>\n<p>[photo id=&#8221;6211&#8243; title=&#8221;Woodpecker-by-Matt-Saunders&#8221; alt=&#8221;Woodpecker-by-Matt-Saunders&#8221; position=&#8221;right&#8221; width=&#8221;339px&#8221;][\/photo]<\/p>\n<h2 style=\"font-size: 26px; font-weight: bold;\">I. Open Curtain<\/h2>\n<p>These blinds are always open. In their veins<br \/>\nFlorida is filled with grass like a tiled<br \/>\ngreen journal dotted with moss and pine<br \/>\nneedles that have fallen during the rains.<\/p>\n<p>There\u2019s nothing to say about her. She stains<br \/>\nmy garden with an unlived story, glides<br \/>\nfrom a past to our present; her words hide<br \/>\nbeneath leaves. I am jealous. But I\u2019ll hang<\/p>\n<p>on like the sun in the summer solstice,<br \/>\nlike saw palmetto buried in the woods \u2014<br \/>\na woodpecker that clings to the hollow<\/p>\n<p>tree. Can\u2019t he see that she is a temptress<br \/>\ninstead of an ancient and cherished book?<br \/>\nShe\u2019s a room filled with poems I\u2019ll never know.<\/p>\n<h2 style=\"font-size: 26px; font-weight: bold;\">II. The Setting in the Trees<\/h2>\n<p>There\u2019s a room filled with poems she\u2019ll never know:<br \/>\nFlorida polished green, its vines and shrubs,<br \/>\nburgundy toenails that I use to grab<br \/>\nhis back on our bed. Birds out the windows.<\/p>\n<p>She\u2019ll never be part of a saw palmetto<br \/>\nthat cannot, with twenty shovels, be budged<br \/>\nnor has she stood with him at dusk on mud<br \/>\nflats, watching geese that left behind the snow.<\/p>\n<p>He brought back to me a soft roseate<br \/>\nspoonbill feather from the marsh, a bouquet<br \/>\nof weeds from the roadside of his hometown.<\/p>\n<p>We found a box, and in it, clothes that fit<br \/>\nus, we dipped our fingers into red paint,<br \/>\nwe were no longer pots turned upside down.<\/p>\n<h2 style=\"font-size: 26px; font-weight: bold;\">III. The Dance<\/h2>\n<p>There was no need to turn pots upside down;<br \/>\ninstead at my window, I watched, each day<br \/>\nan oak grow, then lean, still holding blue jays,<br \/>\nand moss winked at a mating pair of owls.<\/p>\n<p>From our second story bedroom, the brown<br \/>\nworld is a letter to not throw away,<br \/>\nand he is the warbler ready for play \u2014<br \/>\nI\u2019ll be the wren hoping that my new sound<\/p>\n<p>will last beyond the boardwalk over scrub<br \/>\nand beyond the pine trees that ache to crawl<br \/>\ntoward the sky. I could become a dirt road,<\/p>\n<p>or an emerald fish in an open tub,<br \/>\nor lie beneath the wild camphor tree. I\u2019ll<br \/>\ndance with him. Hold hands, even when we\u2019re old.<\/p>\n<h2 style=\"font-size: 26px; font-weight: bold;\">IV. Final Scene<\/h2>\n<p>I\u2019ll dance, hold his hand, even when we\u2019re old<br \/>\nwaiting in line at the store to buy cookies and milk.<br \/>\nThe arbor we built years before will<br \/>\nbe rotting. The bougainvillea, its bold<\/p>\n<p>leaves of red, its white stamen, will have lulled<br \/>\nthe pine tree to remain with us, but still<br \/>\nthe gardenia never blossomed. To kill<br \/>\nit, I mixed its dirt with women who called<\/p>\n<p>and I threw them out. I am the one in charge<br \/>\nof this garden. Here were tears, oak trees fell<br \/>\nand some flowers died. There will be no more<\/p>\n<p>to say about intruders to our yard.<br \/>\nWe\u2019ll enclose the back porch. The only bell:<br \/>\nwoodpeckers tapping words on our front door.<\/p>\n<p>[divider][\/divider]<\/p>\n<p><em>From<\/em> The Terrible Wife, <em>copyright \u00a92013 Terry Ann Thaxton. Reprinted by permission of Salt Publishing.<\/em><\/p>\n<p>Terry Ann Thaxton is an associate professor and the director of the M.F.A. in creative writing program in the Department of English. This poem appears in <em>The Terrible Wife<\/em>, which was awarded the 2013 Florida Book Award in Poetry bronze medal. Her first book of poems, <em>Getaway Girl<\/em>, won the 18th Annual Frederick Morgan Poetry Prize in 2011. She has also written a textbook,<\/em> Creative Writing in the Community: A Guide.<\/p>\n<p><em><span style=\"line-height: 1.38em;\">Illustration by Matt Saunders<\/span><\/em><\/p>\n","protected":false},"featured_media":6199,"template":"","categories":[],"tags":[341],"class_list":["post-5996","story","type-story","status-publish","has-post-thumbnail","hentry","tag-college-of-arts-and-humanities","issues-520","issues-spring-2015"],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v22.3 (Yoast SEO v27.3) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>Trouble in Paradise by Terry Ann Thaxton<\/title>\n<meta name=\"description\" content=\"Poetry from 2013 Florida Book Award winner The Terrible Wife by the UCF associate professor and creative writing M.F.A. program director\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" 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